Rosendale, NY's Dead Empires weave progressive ambition into sludge's tar-thick foundations, building sprawling, tension-laden structures from the Hudson Valley's quiet edges. Formed in 2011, their music feels like watching something enormous collapse in slow motion.

Queens, New York's Deliverance formed in 2020 with an ambitious musical scope that blends progressive metal's complexity with the raw aggression of power and thrash metal. Hailing from one of New York City's most musically diverse boroughs, the band weaves together layered arrangements and technical ambition without abandoning the genre's essential heaviness.

New York's DesDemon have been crafting ambitious symphonic and progressive power metal since 1998, blending soaring vocal melodies with elaborate arrangements that push well beyond straightforward metal songwriting. Their long career reflects a dedication to the theatrical, emotionally charged sound that defines the best of American symphonic metal.

A New York death metal act formed in 2019, Disillusion deal in the kind of unvarnished aggression that draws from the genre's most foundational era — churning, mid-paced riffs giving way to burst-fire blasting. The name carries weight: this is death metal committed to excavating the darkest corners of the form without pretense.

Formed in Wantagh, Long Island in 2014, Dorian Grey — note the spelling distinction from their Boston counterparts — brings a progressive metal approach that suits the complexity of their literary namesake. The band works within the intricate, arrangement-heavy side of prog metal, where time signatures shift and melody serves architecture rather than the other way around. Long Island has quietly produced a strong heavy music community, and Dorian Grey's technical ambitions mark them as a serious proposition within it.

Utica, New York guitarist and composer Dylan Backman has been releasing melodic progressive metal and shred-oriented instrumental work since 2019, combining neoclassical technique with progressive metal's structural ambition in a project that foregrounds virtuosity as a primary creative vehicle.

Buffalo's Eira threads together blackened death and progressive metal into something genuinely restless since forming in 2022. The band's willingness to pull from multiple extreme subgenres at once keeps things unpredictable and sharp.

Fairport, New York's Eleventh Hour have been crafting thoughtful progressive metal since 2011, the band's upstate New York origins giving their intricate compositions a workmanlike seriousness of purpose.

Albany's Enantiodrome take their name from a Jungian concept of reversal, and their progressive death metal follows suit — complex, contradictory, and deliberately unsettled since 2016.