A New York sludge/doom outfit with industrial undercurrents active from 2008 to around 2013, releasing material through Seventh Rule Recordings and appearing on several early-2010s metal compilations.

Poughkeepsie death/black metal act C.A.I.N. — the acronym standing for "Christ Aborted in Nativity" — formed in 2000 and released material independently before splitting up.

New York's Ghostly occupy the furthest, most industrial reaches of drone metal — textural, machine-brained, and built from frequencies more felt than heard. Active since 2019, they traffic in oppressive sound design that dissolves the line between music and environment.

New York's Hanzel und Gretyl have built a career out of fusing industrial machinery with heavy metal groove, a gleefully deranged act whose electronic aggression and gothic theatrics set them apart from the pack since 2009.

New York's Hatred Palisade build industrial black metal architecture from cold machinery and corrosive atmosphere, the electronics never softening the aggression but instead amplifying its mechanical dread.

The Bronx's Omen Faculty bring industrial metal's mechanical menace and groove metal's locked-in rhythmic attack to New York City's hardened underground. Since 2011, they've been fusing electronic texture with metal muscle in a way that feels entirely native to the city's relentless energy.

A New York industrial metal project active since 2014, Sin operates in the cold, mechanized space where metal's aggression meets electronic texture and programmatic rhythms. The sin7ven Bandcamp handle adds a numerological dimension to a project that already traffics in transgression.

Rochester, New York's Slave One have been forging industrial metal since 2014, threading cold mechanical textures and electronic aggression through heavy guitar work in a city with a strong tradition of post-industrial sonic experimentation. Their sound reflects both the genre's European origins and a distinctly American directness.